Netzwerk Phänomenologische Metaphysik
226096

Springer, Dordrecht

2008

500 Pages

ISBN 978-3-540-79485-1

Communications in Computer and Information Science
vol. 7

Transdisciplinary digital art. sound, vision and the new screen

digital art weeks and interactive futures 2006/2007, Zurich, Switzerland and Victoria, BC, Canada. selected papers

Edited by

Randy Adams, Steve Gibson, Stefan Müller Arisona

This volume collects selected papers from the past two instances of Digital Art Weeks (Zurich, Switzerland) and Interactive Futures (Victoria, BC, Canada), two parallel festivals of digital media art. The work represented in Transdisciplinary Digital Art is a confirmation of the vitality and breadth of the digital arts. Collecting essays that broadly encompass the digital arts, Transdisciplinary Digital Art gives a clear overview of the on-going strength of scientific, philosophical, aesthetic and artistic research that makes digital art perhaps thedefining medium of the 21st Century.

Publication details

DOI: 10.1007/978-3-540-79486-8

Full citation:

Adams, R. , Gibson, S. , Müller Arisona, S. (eds) (2008). Transdisciplinary digital art. sound, vision and the new screen: digital art weeks and interactive futures 2006/2007, Zurich, Switzerland and Victoria, BC, Canada. selected papers, Springer, Dordrecht.

Table of Contents

Introduction

Gibson Steve

1-2

Open Access Link
The ethics of aesthetics

Ritter Don

5-14

Open Access Link
DIY

Ramocki Marcin

26-32

Open Access Link
Tuning in Rorschach maps

Pappenheimer Will

33-45

Open Access Link
Artificial, natural, historical

Rohrhuber Julian

60-70

Open Access Link
Behind the screen

Hiebert Ted

80-97

Open Access Link
Transliteracy and new media

Thomas Sue

101-109

Open Access Link
Digital fiction

Pullinger Kate

120-126

Open Access Link
Transient passages

Jeffery Celina

143-152

Open Access Link
Visceral mobile music systems

Tanaka Atau

155-170

Open Access Link
Computer-assisted content editing techniques for live multimedia performance

Müller Arisona Stefan; Müller Pascal; Schubiger-Banz Simon; Specht Matthias

199-212

Open Access Link
Computational audiovisual composition using Lua

Smith Wesley; Wakefield Graham

213-228

Open Access Link
Interrellation

Raffaseder Hannes; Parker Martin

229-237

Open Access Link
Functors for music

Mazzola Guerino; Milmeister Gérard; Morsy Karim; Thalmann Florian

238-254

Open Access Link
Inventing malleable scores

Clay Arthur

255-269

Open Access Link
Glimmer

Freeman Jason

270-283

Open Access Link
Variations on variations

Biró Dániel

284-298

Open Access Link
Beyond the threshold

Guertin Carolyn

313-325

Open Access Link
Copuppet

Bottoni Paolo; Faralli Stefano; Labella Anna; Malizia Alessio; Pierro Mario; Ryu Semi

326-341

Open Access Link
Interactive spaces

Huang Jeffrey; Waldvogel Muriel

377-391

Open Access Link
Scentsory design®

Tillotson Jennifer

403-417

Open Access Link
Advances in expressive animation in the interactive performance of a butoh dance

Gutknecht Jürg; Kulka Irena; Lukowicz Paul; Stricker Tom

418-433

Open Access Link
Anthropocentrism and the staging of robots

Demers Louis-Philippe; Horakova Jana

434-450

Open Access Link
Imaging place

Freeman John

453-466

Open Access Link
The nova display system

Schubiger-Banz Simon; Eberle Martina

476-487

Open Access Link
Four wheel drift

Watson Petra; Andreyev Julie

488-500

Open Access Link

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