References
Paul Majkut
(2020). Introduction. Glimpse, 21, 7-8. https://doi.org/10.5840/glimpse2020211.
(2020). Media structural defacement and its philosophical implications: irony and the uses of grammatic and semantic punctuation. Glimpse, 21, 97-107. https://doi.org/10.5840/glimpse20202111.
(2019). Introduction. Glimpse, 20, 9-12. https://doi.org/10.5840/glimpse2019201.
(2019). Notes on media literacy and illiteracy. Glimpse, 20, 117-124. https://doi.org/10.5840/glimpse2019208.
(2018). Founder's statement. Glimpse, 19, 17-20. https://doi.org/10.5840/glimpse2018192.
(2018). Time machines and the appropriation of time: mediated, unmediated, immediated. Glimpse, 19, 163-183. https://doi.org/10.5840/glimpse20181917.
(2017). Mediated, unmediated, and immediated. Glimpse, 18, 19-29. https://doi.org/10.5840/glimpse2017182.
(2014). Crisis in film studies. Glimpse, 15, 59-63. https://doi.org/10.5840/glimpse20141512.
(2012). Preliminary remarks on point of listening (pol) and point of view (pov): auditory and visual embodiment and disembodiment. Glimpse, 14, 109-118. https://doi.org/10.5840/glimpse20121416.
(2011). Eidetic other, mediated others, and embodied carrots. Glimpse, 13, 85-97. https://doi.org/10.5840/glimpse20111315.
(2010). Media. In H. R. Sepp & L. Embree (eds.) Handbook of phenomenological aesthetics (pp. 201-206). Cham-Heidelberg-New York-Dordrecht-London: Springer.
(2009). Size matters: screen size and storytelling. Glimpse, 11-12, 103-111. https://doi.org/10.5840/glimpse2009-1011-1219.
(2009). The untext of the printed word: being. Glimpse, 11-12, 112-121. https://doi.org/10.5840/glimpse2009-1011-1220.
(2005). Notes on shadows. Glimpse, 7, 127-133. https://doi.org/10.5840/glimpse2005717.
(2004). Eidetic Elvis. Glimpse, 6, 41-49. https://doi.org/10.5840/glimpse200468.
(2003). Splitting hairs and talking back: neo-colonial "post-colonial" theory and nappy hair. Glimpse, 4, 85-94. https://doi.org/10.5840/glimpse2003417.
(2003). The phenomenological flâneur and Robert Irwin's "phenomenological garden" at the getty center. In A. Tymieniecka (ed.) Gardens and the passion for the infinite (pp. 295-303). Dordrecht: Springer.
(2001). Radical empiricism and phenomenological descriptiveness in friar laurence's "earth monologue" in romeo and juliet. In A. Tymieniecka (ed.) Passions of the earth in human existence, creativity, and literature (pp. 71-80). Dordrecht: Kluwer.
(2001). The selflessness of transcendental deception. Glimpse, 3 (1), 9-19. https://doi.org/10.5840/glimpse2001314.
(2000). Empathy's imposter: interactivity versus intersubjectivity. Glimpse, 2 (1), 59-65. https://doi.org/10.5840/glimpse2000219.
(2000). Introduction. Glimpse, 2 (1), 4-8. https://doi.org/10.5840/glimpse2000211.
(1999). Introduction. Glimpse, 1 (1), 4-5. https://doi.org/10.5840/glimpse1999111.
(1999). The concept of the dog doesn't bark: notes on a materialist phenomenology and film noir. Glimpse, 1 (1), 60-73. https://doi.org/10.5840/glimpse1999118.