Kurt R. Cline
(2017). "A quotation from Baudrillard": J. G. Ballard and the psycho-phenomenology of media in everyday life. Glimpse, 18, 87-93. https://doi.org/10.5840/glimpse20171810.
(2015). The message is the medium: Houdini and the unity of concealment and disclosure in Heidegger's Parmenides. Glimpse, 16, 27-31. https://doi.org/10.5840/glimpse2015163.
(2014). A phenomenology of 3-D cinema. Glimpse, 15, 25-28. https://doi.org/10.5840/glimpse2014156.
(2012). Twisted shadows: Ion Chaney, Tod Browning and the grotesque personae of circus and sideshow. Glimpse, 14, 43-49. https://doi.org/10.5840/glimpse2012147.
(2011). Phenomenology of the hoax: Orson Welles, alchemy and the lie that tells the truth. Glimpse, 13, 37-45. https://doi.org/10.5840/glimpse2011138.
(2009). Is seeing believing?: Harry Houdini and the role of magic in the development of early cinema. Glimpse, 11-12, 33-42. https://doi.org/10.5840/glimpse2009-1011-128.
(2007). Unmasking the simulacrum: Harry Houdinis exposes and the modernist meta-poetics of confrontation and exposure. Glimpse, 9-10, 85-89. https://doi.org/10.5840/glimpse2007-89-1016.
(2006). Unmasking the simulacrum: Harry Houdini's exposes and the modernist meta-poetics of confrontation and exposure. Glimpse, 8, 35-39. https://doi.org/10.5840/glimpse200687.