Jadwiga Smith
with Hornbuckle Calley, Smith William S (eds) (2023). Posthumanism and phenomenology: the focus on the modern condition of boredom, solitude, loneliness and isolation. Berlin: Springer.
with Hornbuckle Calley, Smith William S (eds) (2022). Posthumanism and phenomenology: the focus on the modern condition of boredom, solitude, loneliness and isolation. Berlin: Springer.
with Hornbuckle Calley, Smith William S (eds) (2021). Phenomenology of the object and human positioning: human, non-human and posthuman. Dordrecht: Springer.
with Hornbuckle Calley, Smith William S (eds) (2021). Phenomenology of the object and human positioning: Human, non-human and posthuman. Berlin: Springer.
with Smith William S, Verducci Daniela (eds) (2018). Eco-Phenomenology: life, human life, post-human life in the harmony of the Cosmos. Dordrecht: Springer.
(2013). Cosmo-transcendental positioning of the living being in the universe in Anna-Teresa Tymieniecka's New enlightenment. In A. Tymieniecka (ed.) Phenomenology and the human positioning in the cosmos I (pp. 1-6). Dordrecht: Springer.
(2009). Contextualizing Anna-Teresa Tymieniecka's concept of fabulation. In A. Tymieniecka (ed.) Existence, historical fabulation, destiny (pp. 3-8). Dordrecht: Springer.
(2007). Ontology and epistemology of time in the stage play: Revisiting Roman Ingarden's The literary work of art and the cognition of literary work of art. In A. Tymieniecka (ed.) Temporality in life as seen through literature (pp. 85-93). Dordrecht: Springer.
(2006). Phenomenology of emotions: Aurel Kolnai's on disgust and Jacobean drama. In A. Tymieniecka (ed.) Logos of phenomenology and phenomenology of the logos V (pp. 259-274). Dordrecht: Springer.
(2004). Defining boundaries in theatrical and ceremonial space in the Middle Ages. In A. Tymieniecka (ed.) Metamorphosis (pp. 61-67). Dordrecht: Kluwer.
(2004). Paul Ricoeur's The symbolism of evil and the problem of evil in Marston's Antonio plays. In A. Tymieniecka (ed.) Mystery in its passions (pp. 237-244). Dordrecht: Kluwer.
(2000). The problem of reconciliation in remorse: Coleridge's dramatic theory and practice. In A. Tymieniecka (ed.) Life creative mimesis of emotion (pp. 223-230). Dordrecht: Kluwer.
(1998). Exploring aesthetic discomfort in the experience of the comic and the tragic: John Marston's Antonio and Mellida and Antonio's revenge. In A. Tymieniecka (ed.) Enjoyment (pp. 127-136). Dordrecht: Kluwer.
(1997). The representation of limbo in medieval drama. In A. Tymieniecka (ed.) Passion for place Book II (pp. 3-10). Dordrecht: Springer.
(1995). The concept of space in medieval drama: Toward a phenomenological interpretation in medieval studies. In A. Tymieniecka (ed.) The elemental passion for place in the ontopoiesis of life (pp. 231-239). Dordrecht: Kluwer.
(1994). Allegory and the dramatic foundations of the medieval theater. In A. Tymieniecka & M. Kronegger (eds.) Allegory old and new (pp. 29-35). Dordrecht: Springer.
(1994). The communication of the sacred in Tymieniecka's the three movements of the soul. In A. Tymieniecka (ed.) From the sacred to the divine (pp. 75-81). Dordrecht: Kluwer.
(1991). A theory of drama and theatre. In A. Tymieniecka (ed.) Ingardeniana III (pp. 3-62). Dordrecht: Kluwer.
(1990). A new phenomenology: A.-T. Tymieniecka's departure from Husserl and Ingarden. In H. Rudnick (ed.) Ingardeniana II (pp. 25-36). Dordrecht: Kluwer.
(1990). Longinus' on the sublime and the role of the creative imagination. In A. Tymieniecka (ed.) The elemental passions of the soul poetics of the elements in the human condition III (pp. 225-231). Dordrecht: Kluwer.