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References
Sidney Feshbach
An orchestration of the arts in Wallace Stevens' "Peter quince at the clavier"![Open Access Link](images/OAlink.png)
2000
in: The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht : Kluwer
![Open Access Link](images/OAlink.png)
Elegy rebuffed by pastoral eclogue in Wallace Stevens' "sunday morning"![Open Access Link](images/OAlink.png)
2000
in: Life creative mimesis of emotion, Dordrecht : Kluwer
![Open Access Link](images/OAlink.png)
The light at the end of the tunnel is coming right at me, or, the dialectic of elemental light and elemental dark![Open Access Link](images/OAlink.png)
1992
in: The elemental dialectic of light and darkness, Dordrecht : Kluwer
![Open Access Link](images/OAlink.png)
The hundredlettered name: Thunder in James Joyce's Finnegans wake![Open Access Link](images/OAlink.png)
1991
in: New queries in aesthetics and metaphysics, Dordrecht : Kluwer
![Open Access Link](images/OAlink.png)
The passion of apprehension: The soul’s activity as the agent intellect in James Joyce's A portrait of the artist as a young man![Open Access Link](images/OAlink.png)
1990
in: The elemental passions of the soul poetics of the elements in the human condition III, Dordrecht : Kluwer
![Open Access Link](images/OAlink.png)
Empedocles: the phenomenology of the four elements in literature![Open Access Link](images/OAlink.png)
1988
in: Poetics of the elements in the human condition II, Dordrecht : Kluwer
![Open Access Link](images/OAlink.png)
Literal/littoral/littorananima![Open Access Link](images/OAlink.png)
1985
in: Poetics of the elements in the human condition: the sea, Dordrecht : Reidel
![Open Access Link](images/OAlink.png)